Remembering Shrek 2: How Kelly Asbury and team played around with the idea of a subversive Disney fairy tale

June 30, 2020
Remembering Shrek 2: How Kelly Asbury and team played around with the idea of a subversive Disney fairy tale 1

Remembering Shrek 2: How Kelly Asbury and group performed round with the thought of a subversive Disney fairy story

With the 2004 animated movie, director Kelly Asbury overturned Disney fairy story tropes like Prince Charming, Fairy Godmother, and Fortunately Ever After.

Within the climactic sequence of Shrek 2 (2004), Prince Charming is attempting to seduce Princess Fiona as Fairy Godmother sings Bonnie Tylor’s fashionable observe ‘Holding Out For A Hero.’ “The place have all the nice males gone?,” she sings within the background. When Charming makes an attempt to kiss, and Fairy Godmother finishes the track with “I would like a hero,” Fiona’s husband Shrek barges in to rescue the princess.

This chain of occasions entails all of the subversions the makers of Shrek 2 integrated into the narrative of the animated movie. Considered one of its administrators, Kelly Asbury, handed away on Monday on the age of 60 after a battle with most cancers. He was a Disney veteran, who labored as a narrative artist and visible improvement artist in animated fairy story movies like The Little Mermaid (1989) and Magnificence and the Beast (1991) amongst others. However when he bought all the way down to Shrek, the thought was to flirt with the expectations of Disney fairy story followers and switch the tropes from these tales on their heads.

Under, we talk about the three main tropes Asbury overturned in Shrek 2, that have been perpetuated by Disney fairy tales.

Prince Charming

Shrek 2 begins the place the primary movie ended: Princess Fiona from the dominion of Far Far Away, locked right into a tower guarded by a dragon on the order of her mother and father, is rescued by an ogre Shrek. As per an settlement, Prince Charming (sure, that’s his identify) was speculated to rescue and marry Fiona so as to change into the inheritor to the throne of Far Far Away.

Nevertheless, as Shrek 2 opens, Charming, heroically narrates, “I endure the blistering winds and scorching deserts” and “climb the very best room of the tallest tower” solely to search out the Massive Dangerous Wolf in granny garments (from The Little Crimson Using Hood) within the mattress. He informs Charming that Fiona is already married to Shrek.

Whereas the primary half already set the tone of subverting the Disney template by having an ogre rescue and marry a princess (who’s cursed to be an ogress until she is kissed by Prince Charming), the second half introduced in a number of extra motifs from the fairy tales who went to extents past their goodwill to power the narrative adhere to the storybooks.

Remembering Shrek 2 How Kelly Asbury and team played around with the idea of a subversive Disney fairy tale

Charming in Shrek 2 is a hair-swaying, manicure-admiring prince who spends first half of the movie whining about being stripped off an opportunity on the throne. Within the second half, he’s tasked to lure Fiona right into a kiss in order that he can realise the impact of the ‘love potion’ and make her fall for him. However greater than loving Fiona, he’s busy basking within the glory of his newfound kingdom on the purple carpet of their marriage ceremony ball. Even when he tries to bait her right into a kiss, he mouths traces like, “That is Cherry (the lip shine he’s sporting). Desire a chew?” And we cringe together with Fiona. Not charming in any respect, Charming.

Fairy Godmother

Shrek 2 paints the presumably dependable Prince Charming as a momma’s boy. And who’s his momma right here? The Fairy Godmother.

Fairy Godmother guarantees to Fiona, “With a flick of my magic wand, your troubles will quickly be gone.” However little does Fiona know Fairy Godmother has a vested curiosity in her love life, and has already struck a cope with her father, King Harold, to get her married to her son Charming.

Remembering Shrek 2 How Kelly Asbury and team played around with the idea of a subversive Disney fairy tale

This politicisation of Far Far Away makes Fairy Godmother probably the most fascinating characters within the franchise due to the gray shades hooked up to her character, which don’t gel properly along with her conventional position in any respect. Right here, she is imply, calculating, and manipulative. She is a false idol who guards her public picture as ferociously because the egocentric pursuits of her son.

However the protectiveness and facade take a toll on her as properly, as she is commonly seen indulging in some good ol’ emotional consuming. “My food plan has ruined,” she tells Harold when their plan falls flat; or when Shrek steals the Fortunately Ever After potion from her manufacturing facility, she can’t assist however scream, “Somebody get me one thing deep-fried and smothered in chocolate!” Clearly, for Fairy Godmother, happiness is only a teardrop Churro away.

Fortunately Ever After

When Shrek seeks out Fairy Godmother’s recommendation for mending his marriage with Fiona, she tells him that she doesn’t have an answer for him since not one of the fairy tales have ogres in there, so there isn’t a ‘Fortunately Ever After’ to his story. “Cease residing a fairy story,” she tells him later.

Even after he turns right into a good-looking hunk by consuming the ‘Fortunately Ever After’ portion, Fairy Godmother reminds him he’s nonetheless an ogre at coronary heart, and Fiona nonetheless a princess. “And no potion can change that. Ogres do not have a Fortunately Ever After.'”

Remembering Shrek 2 How Kelly Asbury and team played around with the idea of a subversive Disney fairy tale

However as soon as Shrek realises the ulterior motive behind her actions, he seeks assist from his gang (Donkey, Puss in Boots, Gingerbread Man, Pinochhio et al) to make Fiona look by the devious scheme. When he proposes they kiss earlier than midnight (“Why is it at all times midnight!” he asks rhetorically) to make the results of the potion everlasting, she backs out. “I need to reside Fortunately Ever After… with the ogre I married.”

Now, had it been a reckless disruptor within the director’s chair, they might have gone to the extent of NOT having a cheerful ending or a Fortunately Ever After. Asbury’s filmography proves he was a believer in Disney, and thus ticked all the suitable bins.

However he additionally made positive we keep in mind him properly. As soon as upon a time, there was a person who by no means let his love for all issues Disney cease him from writing his personal fairy story.

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